Indeterminacy #423

I am away for a two week vacation in the gentle, snowstorm-covered plains of Ohio. Until I'm back (around March 25th), I leave you with this wonderful work of art by Mayuko Fujino entitled "Dia de los Muertos Georama" which I playfully combined with a song from the 1930's. You are all invited to contribute your stories and impressions to this image, and when I'm back in two weeks or so, I will post my own story. In the meantime, you're also invited to enter and enjoy Mayuko's fascinating world of art spanning paper cutouts to shadow plays. Here are her sites you can visit:

Homepage: cohac.com/m
Myspace (videos): myspace.com/georama
Photo Galery: flickr.com/photos/mayuk

Note: The song I used is "My Unfaithful Cowgirl" by the Swift Jewel Cowboys (found at westernswing78).

Here is a static version of the image:

My tip: Load this photo in your full screen, play the song, and look at the picture. It's so much fun!

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Another Note: A warm thank you to Cooper for featuring Indeterminacy at Shouldbefamous.net. With your help, Cooper, I really might be famous someday.

It wasn't like a deluge, with buckets of rain descending as if poured from above. It happened so fast we didn't even have time to get wet. Wetness only exists in the presence of that barren realm of empty air which is hardly better than a vacuum. But that was gone, replaced. The ocean was simply there that morning when we woke up, all-encompassing, a rich, briny substance for us to move through. Surprisingly, no one drowned. It wasn't so bad breathing the aquatic thickness into our bodies, only a slight irritation of the saltwater as each inhalation reached it's maximum of expanded lungs. But you got used to it quickly. "Ocean? Ok, ocean," everyone thought, then went about their routine as if it were just another day. And actually, it was. The stock markets opened. The buses ran. Everyone could go to work, school and other planned elsewheres, all as if nothing had happened.

Not that I loved my everyday rut - it had gnawed at my being just like everybody else goes through with their personal routines. But how can you escape that lobster's claw of responsibility that in the end demands movements that even a zombie could fulfill, mindlessly, monotonously, like waves moving back and forth? Sure, I wanted out. That thought skirted my mind like a floating balloon that never soars, just hangs there at waist level, lolling back and forth, a kind of a taunt, because you have to keep on walking past it, but never forgetting that it is still there hugging into your personal space, and always will be.

I thought that fleetingly, as always, and then her presence segued into the trailing thought. There she was, right across from me in the sea-filled bus. I glanced over quickly, catching her eye for a moment, noticing the silent acknowledgement, as always, but this time, not interrupting it. This time I did not turn away to glance at the ads or the other people. I held my eyes steady, beaconed tentatively with my hand. Somehow, magically, hers was in mine. With our two free hands, and the steady rhythm of our legs, we took off though a window of the bus, and swam upwards into the sunlight.

Story #422

A long time ago I promised Colored Clouds that I would use one of her photos for a story - but somehow I never got around to doing so. So I paged through her beautiful blog called Creations of Another Nature and found the photo I posted here. I hope it will be a pleasant surprise for her!

Bethy built a boy trap. Part of it was a metal frame stuck in the ground, two legs on each side (V's turned on end), and a connecting bar on top. From the top bar dangled two chains, ending at a black rectangular seat down by the ground. In fact, the construction looked exactly like a swing. And since it looked exactly like a swing, Bethy decided she didn't actually have to build that part herself but could borrow the swing at the playground on her way home from school. A boy trap is, of course more than just that. It's a complex merging of chemical, biological and psychological elements that are as easy to understand as why no sometimes means yes.

On Monday at 3 o'clock in the afternoon Bethy walked past her trap. The trap was empty. On Tuesday she walked by again. A boy lingered nearby, snapping twigs he'd torn from one of the bushes. On Wednesday as she passed the swing, there was the boy, caught!, hanging by his legs from the top bar, waiting for the girl to free him. Bethy walked towards the boy, to help him out of the trap and onto his feet again. The boy saw an inverted Bethy walking in close, smiling up at him, ready to turn his entire world upside down. This was the ineveitable result considering his belief that he had just caught Bethy with the girl trap he had built.

Story #421

This was the third in a series of sketches by Tabita. If you'd still like to contribute your own story, please feel welcome to. You can see more of Tabita's work at her Danish gallery - the series of self portraits especially caught my eye. Tabita and I plan on collaborating more in the future: stories to pictures and pictures to stories, like this very sweet surprise for Indeterminacy #205 (page down to see it).

Postscript: Tabita asked me to thank all of you on her behalf for your stories and comments. I'm happy she let me borrow her artwork for a set of stories. So thank you, too, Tabita!